(all images courtesy of Goldenvoice)
3G Productions supplies mobile K2/Kara II rig for one of L.A.’s oldest production spaces

LOS ANGELES – April 2025
Even if they have never set foot inside the venue, millions of music and movie fans are familiar with the historic Shrine Auditorium and Expo Hall, which has hosted awards galas, concert recordings, and film shoots over the past century. Celebrating 100 years in 2026, the landmark venue is now wowing audiences with a new L-Acoustics professional sound system designed and supplied by 3G Productions.

(Yeat’s show at Shrine Expo Hall featured an elevated centerstage surrounded by L-Acoustics KS28 subs and A15 fills)

This state-of-the-art L-Acoustics installation at the Shrine joins a growing network of premium sound systems across AEG’s concert venues nationwide. The audio upgrade aligns with similar L-Acoustics deployments at other mid-sized AEG Presents venues, including the recently opened Pinnacle in Nashville, Atlanta’s 2,300-capacity The Eastern, Brooklyn’s 1,800-capacity Brooklyn Steel, and Boston’s 3,500-capacity Roadrunner. This strategic standardization across properties reflects AEG’s commitment to world-class sound quality and technical rider compliance throughout their diverse portfolio of performance spaces.

(The new L-Acoustics K Series system also gets deployed at the Shrine Auditorium, seen in use here by Future Islands)

“The Shrine’s top requirements of a new PA were that it deliver both impeccable sound and exceptional coverage,” explains Jerrod Cring, Director of AVLI at 3G Productions in Las Vegas. “Also important was versatility and being able to use the system in all the different configurations that they have in the Expo Hall and the Auditorium. Based on those things, the L-Acoustics system was a perfect fit for them and is performing incredibly well.”

The sibling venues, located just southwest of downtown Los Angeles next to the University of Southern California, have been managed by Goldenvoice, a division of Los Angeles-based global sports and music entertainment presenter AEG, since 2013.

(ISOox and Knock2 performing as ISOKNOCK at Shrine Expo Hall)

The system, meticulously crafted for the 54,000-square-foot Expo Hall with a capacity for 5,000 attendees, was engineered using L-Acoustics Soundvision 3D audio prediction software. Designed with versatility in mind, the system was delivered as a fully portable setup – housed in touring-grade carts and cases – allowing for seamless storage when not in use and effortless relocation to the 6,300-seat Auditorium as needed. “The Expo Hall has hosted everything from a four-day LCD Soundsystem residency to Charli XCX, The SAG Awards, and high profile corporate functions,” Cring notes, highlighting the system’s adaptability across diverse programming.

For the Expo Hall, 3G Productions designed an L-Acoustics system featuring two main hangs of 12 K2 per side, each with three Kara II for down-fill. “We designed the system with portability and flexibility in mind,” he explains. “The two K2 arrays are hung from motors, just like they would be on a touring show. The motorized rigging allows them to be lowered, secured on carts, and relocated with the same efficiency as a touring production.” The same philosophy extends to the KS28 subs, all of which are equipped with dedicated dollies for mobility. The 15 subs are typically arranged in five clusters of three in a cardioid configuration, with each subwoofer cluster topped by a single Kara II for front-fill. A pair of A15 Focus on either side of the stage provides out-fill under the venue’s deep balcony.

(Fred Again in concert at Shrine Expo Hall)

“On the upper balcony, we provided two rolling chariots with two KS21 subs and an A15 Focus each,” he continues. These versatile units can be seamlessly repositioned as stage side-fills or deployed for outdoor festivals across the Shrine’s grounds – their integrated mobility making them instantly performance-ready.” Halfway back in the Expo Hall, two hangs of six Kara II each provide delay coverage: “These arrays, suspended from motors and supported by bespoke carts, ensure consistent audio quality throughout the entire space.”

(Peggy Gou using L-Acoustics A15 enclosures for monitoring at Shrine Expo Hall)

As with a regular touring rig, power is supplied via LA-RAK II units loaded with LA12X amplified controllers. A P1 processor in a drive rack at FOH runs the system, with everything networked over Milan-AVB. “At the same time, we also supplied a DiGiCo Quantum225 as a house mixing console. While our rental division can provide any artist-specific console requirements, this installation offers venues a high-performance mixing solution that is ready for immediate deployment during events requiring streamlined technical specifications.” Cring says.

The Shrine, a Los Angeles Historic-Cultural Monument on the National Register of Historic Places, has been a global entertainment landmark since 1926. This iconic venue has hosted major televised events, including the Grammy Awards, Academy Awards, and Emmy Awards, as well as memorable concerts by Ray Charles, the Grateful Dead, and Genesis. Film productions, including King Kong (1933) and A Star Is Born (1954 and 2018), utilized the Auditorium’s stage – North America’s largest proscenium, capable of accommodating 1,200 people.

The L-Acoustics system offers full reconfigurability for Shrine Auditorium shows. “We provided Kara II down-bumpers to extend the K2 arrays for front seat coverage,” Cring elaborates. “Components from the Expo Hall delays can be repurposed as a center-fill of five Kara II.” The Auditorium setup requires fewer subs to maintain clear sightlines. The remaining speaker enclosures can be used for lip-fill and in-fill across the wide stage.

3G Productions’ roots as a traditional production company have organically evolved into integration expertise,” Cring observes. “Clients seek our integration services because of our deep production knowledge. Our unique position at the intersection of production and integration creates distinctive value – a specialized approach where L-Acoustics has proven to be an ideal partner for both divisions.”

For more information on the Shrine Auditorium and Expo Hall, visit www.shrineauditorium.com. 3G Productions can likewise be found online at www.3glp.com.

About L-Acoustics
L-Acoustics has been shaping the future of sound since 1984 through trailblazing innovation. Our European-designed and manufactured solutions deliver premium sound experiences from the most intimate immersive spaces to the largest stages. L-Acoustics is the #1 brand chosen by the world’s largest music festivals and installed in over 13,000 premium venues from music halls, theaters, and sports entertainment to wellness, hospitality, homes and yachts.

 Our team of 1,000 employees, including 20% in design, research, and development, conceives the industry’s most award-winning and transformative sound reinforcement technologies, including the modern line source array V-DOSC, L-ISA immersive hyperreal solutions, and the eco-conscious, performance-leading L Series. These technologies have led to the company being honored with a Decibels d’Or and featured in Fast Company’s list of most innovative companies.

 With major hubs in Paris, Los Angeles, London, and Singapore, and a network of trained service providers present in 80 countries, our technologies power the most demanding live events and memorable sound experiences: from Adele’s Las Vegas residency to the world’s largest sports events, from the Zaha Hadid-designed Guangzhou Opera House to the Philharmonie de Paris Concert Hall.

Reader contact:
L-Acoustics, Inc., 2645 Townsgate Road #600, Westlake Village, CA 91361
Tel: 805.604.0577 / Fax: 805.556.4846
Email: press@l-acoustics.com / Web: www.l-acoustics.com

Editor contact:
Chris Shuler, Public Address
Cell: 574.514.7131 / christophershuler@comcast.net